Cristobal Cea
       
     
   Una Mano da La Mano   ,  2025  Resin, wax, and encaustic  8in x 2in x 4in
       
     
   Confabulación I   ,  2025  Resin, wax, and encaustic  8in x 2in x 4in
       
     
   De La Oscuridad Venimos, Pero de ahí no somos   ,  2025  Resin, wax, and encaustic  22in x 3in x 3"
       
     
   Toroide   ,  2025  Resin, wax, and encaustic  7in x 7in x 2in
       
     
   Naturaleza con Chunchules   ,  2025  Acrylic and oil on canvas  18in x 18in
       
     
   Cahuineros   ,  2025  Acrylic and oil on panel  18in x 14in
       
     
   El Momento Histórico   ,  2025  Acrylic and oil on panel  14in x 10in
       
     
   Incitatus Inauguration - Sketch II   ,  2025  Acrylic and oil on panel  18in x 14in
       
     
   Manopod in the Rain   ,  2025  Acrylic and oil on panel  14in x 10in
       
     
Cristobal Cea
       
     
Cristobal Cea

Cristóbal Cea is a Chilean artist that works across a variety of mediums -from 3D

animation to sculpture and drawing-, motivated by a need to materially fill in the gaps

that separate us from complex historical events, which are often haunting, ideologically

loaded, and are therefore abundant in human contradictions.

His work has been part of group shows in spaces like Lunds Konsthall (Sweden), Alcalá

31 (Spain), National Museum of Fine Arts (Chile), Kunsthal Charlottenborg (Denmark),

Boston Center for the Arts (USA), and several solo exhibitions at museums and

galleries in Chile and elsewhere.

He has been awarded the Fulbright Grant, the RISD Bridge Research Grant, the

National Endowment for the Arts (Chile, 2010-2016-2019), the Museum of Visual Arts

(MAVI) Contemporary Art Prize, CCU Art Prize, and several research and creation grants at Pontificia Universidad Católica de Chile and Tufts University: where he is currently teaching courses on Digital Media at the School of the Museum of Fine Arts.

“I work around mediums, with undead archives whose presence is often unseen, but cannot be forgotten. My tool of choice -to mediate among these histories and to write my own-, is digital media: A technology of absence, that I use to thread a connection between my promiscuous interest in sculpture, painting and storytelling, in order to -hopefully-, create some meaningful presence.”

Forma Carente de Contenido I - Gallina Feliz, 2025

Resins and wax

20in x 5in x 5in

   Una Mano da La Mano   ,  2025  Resin, wax, and encaustic  8in x 2in x 4in
       
     

Una Mano da La Mano, 2025

Resin, wax, and encaustic

8in x 2in x 4in

   Confabulación I   ,  2025  Resin, wax, and encaustic  8in x 2in x 4in
       
     

Confabulación I, 2025

Resin, wax, and encaustic

8in x 2in x 4in

   De La Oscuridad Venimos, Pero de ahí no somos   ,  2025  Resin, wax, and encaustic  22in x 3in x 3"
       
     

De La Oscuridad Venimos, Pero de ahí no somos, 2025

Resin, wax, and encaustic

22in x 3in x 3"

   Toroide   ,  2025  Resin, wax, and encaustic  7in x 7in x 2in
       
     

Toroide, 2025

Resin, wax, and encaustic

7in x 7in x 2in

   Naturaleza con Chunchules   ,  2025  Acrylic and oil on canvas  18in x 18in
       
     

Naturaleza con Chunchules, 2025

Acrylic and oil on canvas

18in x 18in

   Cahuineros   ,  2025  Acrylic and oil on panel  18in x 14in
       
     

Cahuineros, 2025

Acrylic and oil on panel

18in x 14in

   El Momento Histórico   ,  2025  Acrylic and oil on panel  14in x 10in
       
     

El Momento Histórico, 2025

Acrylic and oil on panel

14in x 10in

   Incitatus Inauguration - Sketch II   ,  2025  Acrylic and oil on panel  18in x 14in
       
     

Incitatus Inauguration - Sketch II, 2025

Acrylic and oil on panel

18in x 14in

   Manopod in the Rain   ,  2025  Acrylic and oil on panel  14in x 10in
       
     

Manopod in the Rain, 2025

Acrylic and oil on panel

14in x 10in