Patrimonio Inclinado/ Tilted Heritage
       
     
Installation view: Fitchburg Art Musuem, 2019-2020. Photographs: Charles Sternaimolo.
       
     
Detail. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Installation view and wall drawing. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Detail. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Detail and wall drawings.  Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Installation view, looking up from inside the structure. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Installation view. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Installed at New View: 2014 Faculty Show at the Davis Museum at Wellesley College, September 17-Dec 21, 2014. Installation view.
       
     
Installation view. The Davis Museum at Wellesley College, 2014.
       
     
Detail of ash surface.
       
     
Patrimonio Inclinado/ Tilted Heritage
       
     
Patrimonio Inclinado/ Tilted Heritage

Installed in Labored Landscapes (where hand meets ground), a solo exhibition at the Fitchburg Art Museum, September 21, 2019—January 12, 2020.

Ash on canvas, stretcher bars, rope, C clamps, wall drawings 17'x10'x10'.

Triggered by a fire that destroyed a significant part of one of the most iconic coastal cities in Chile, Tilted Heritage is an attempt to link contemporary politics to the history of colonization and its repercussions on identity, cannibalization of culture, and subversion of meaning.

Installation view. Photograph: Charles Sternaimolo.

Installation view: Fitchburg Art Musuem, 2019-2020. Photographs: Charles Sternaimolo.
       
     
Installation view: Fitchburg Art Musuem, 2019-2020. Photographs: Charles Sternaimolo.

Ash on canvas, stretcher bars, rope, C clamps

Detail. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Detail. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.

Ash on canvas, stretcher bars, rope, C clamps, wall drawings

Installation view and wall drawing. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Installation view and wall drawing. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.

Ash on canvas, stretcher bars, rope, C clamps

Detail. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Detail. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.

Ash on canvas

Detail and wall drawings.  Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Detail and wall drawings. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.

Stretcher bars, rope, C clamps, wall drawings

Installation view, looking up from inside the structure. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Installation view, looking up from inside the structure. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.

Ash on canvas, stretcher bars, rope, C clamps

Installation view. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.
       
     
Installation view. Fitchburg Art Museum. 2019-2020. Photograph: Charles Sternaimolo.

Ash on canvas, stretcher bars, rope, C clamps, wall drawings

Installed at New View: 2014 Faculty Show at the Davis Museum at Wellesley College, September 17-Dec 21, 2014. Installation view.
       
     
Installed at New View: 2014 Faculty Show at the Davis Museum at Wellesley College, September 17-Dec 21, 2014. Installation view.

Ash on canvas, stretcher bars, rope, C clamps, wall drawings

Installation view. The Davis Museum at Wellesley College, 2014.
       
     
Installation view. The Davis Museum at Wellesley College, 2014.

Ash on canvas, stretcher bars, rope, C clamps

Detail of ash surface.
       
     
Detail of ash surface.

Ash on canvas